Saturday, July 31, 2010

Who will advocate for the next generation of heritage professionals? A cautionary tale for university preservation programs

June 27, 2010 by Jeff Guin  
Filed under Blog, Featured

Losing a historic structure is a sad thing. Losing generations of folks to expertly protect cultural heritage is much, much worse. This past week, Louisiana’s Board of Supervisors for higher education rubber-stamped a proposal from Northwestern State University of Louisiana to eliminate the university’s bachelor’s and master’s degrees in heritage resources just as these groundbreaking interdisciplinary programs were hitting their strides. The Master of Arts in Heritage Resources (MAHR) was on track triple its number of graduates in the next year.

Audio Podcast: Greg Lemon on podcasting to keep the storytelling tradition alive

April 7, 2010 by Jeff Guin  
Filed under Podcast

On the edition of the Voices of the Past, we meet Greg Lemon. Greg originated the popular MythShow podcast. In this interview, he talks about the importance of the storytelling tradition, building a quality web presence around your podcast, and setting personal priorities with new media

KSU Digital Ethnography Project – An Analysis of How Students Learn Today

February 16, 2009 by dstaley  
Filed under Blog

by Dylan Staley

Voices of the Past seeks new and innovative ways to bring education to the masses. It is not a class, it does not have an instructor. It is created by normal people, inviting others to join in their work. This blog could be one of the best examples of the way education can evolve: into something that is both by and for the community.

NY Times: Conservation of Reinhardt painting is "hit and miss"

August 15, 2008 by Jeff Guin  
Filed under Blog

The New York Times reports about the dilemmas faced by Guggenheim conservators trying to restore one of Ad Reinhardt’s “Black” paintings. Using x-ray and laser techniques, the conservators were tasked with removing acrylic paint that had been used in the past to cover damage to the fragile oil painting.